Place of birth: Kazincbarcika
Job description: work at the sound studio (sound engineer at Hirado Studio)
Favourite Bible verse: “I can do all things through Christ(An excerpt of the interview with Gergő taken from Mentes Máskent #2): How did your start your sound technician career? In 2000, I married Detti and she shared the same dream. We spent part of the money that we received for our wedding on a computer and a sound card. Then later on, I learnt from a friend that one of the radio stations, Bartók Radio, was advertising a certified training in sound engineering. So I applied and was admitted. ...which of course was followed by the big break-through? Later on, Gajdátsy Peti, my acoustic buddy, helped me to convert our bicycle shed into a studio. I did recordings for music schools, theatres as well as bands, but I didn't make enough money to be able to live on that income alone. So I started to look for job advertisements. I managed to find a few absurd job offers...:-D It must have been a difficult time in your life ....
I started singing in a band called Alapkõ (Foot-stone) in 1994. I got saved in that band, then I continued my musical career in another band, The Continentals. We did a lot of concerts and also recordings, but I always felt that perhaps these things could be done more effectively. I became very interested in sound engineering and towards the studio work. But for quite a while, this was only a dream, as it's quite a costly occupation.
Not exactly. I couldn’t find a job! But after finishing the school, I got an opportunity to work with Iván Folk; a chance to put into practice what I had learnt. Then my first job came about with Vészbejárat (Emergency entry). The vocals were recorded in our house, where we developed a sound-proof recording room, also known as the control room, which separated it from the technical room. Those were exciting days.
At that point I was really doubting if I would ever become a full time sound technician. I even started questioning my abilities. Around this time, we were working on the live recording of Te éltetsz engem (This is the air I breath). Mike Payne, the worship leader of Calvary Chapel Budapest kind of „moved in” with us for a period of time, and during that time we worked quite a lot together. And then one day, he asked me what I thought about building a studio in the basement of the church. Now, that’s when the big break-through was, both physically and emotionally. Mike brought hope back, that perhaps I could do in life what I love doing.
We built the studio with our hands, but we enjoyed every minute of it. It was extremely important for us to make the studio into a friendly and stress-free place, where the musician is free to create in a peaceful environment.










